"The Good, the Bad and the Ugly" Ends Sergio Leone’s Spaghetti Western Trilogy

The Good, The Bad and The Ugly (Il buono, il brutto, il cattivo in Italian) – 4 Stars (Excellent)

After enjoying unexpected commercial success with “A Fistful of Dollars” and “For a Few Dollars More”, Italian Director Sergio Leone ends his trilogy of “Spaghetti Westerns” with “The Good, The Bad and The Ugly”.

Amazingly, even at this point in his masterful direction of western movies made in Spain, Leone would not enjoy a nickel’s worth of adulation from the critics as only the Laurel Awards would give a single award to Clint Eastwood for Action Performance, and that was as runner-up.

Hollywood and its stars ignored Sergio Leone just as they have Johnny Depp. They refuse to recognize that even westerns or pirate pictures can be artfully done and have unique acting performances. Clint Eastwood is The Man With No Name, and Johnny Depp is the perfect pirate as Captain Jack Sparrow. There will never be another equal of either in these roles.

At least one film director, screenwriter and actor-Quentin Tarantino-has identified Leone’s The Good, The Bad and The Ugly as “the best-directed film of all time.” It was Tarantino who gave moviegoers “Reservoir Dogs”. “Pulp Fiction” and “Kill Bill (Vol. 1 and Vol.2)” among others.

But back to Leone, who helped write the screenplay with mostly Luciano Vincenzoni. It was Vincenzoni who came up with the premise for the film-three rogues looking for some treasure at the time of the America’s Civil War-and its title.

The triangle of rogues included The Good (Clint Eastwood, a professional gunfighter referred to as “Blondie” in this film who would become The Man With No Name in subsequent western films spun off of his character), The Bad (Lee Van Cleef, a self-centered hit man referred to as “Angel Eyes”) and The Ugly (Eli Wallach, a self-centered outlaw referred to as “Tuco”).

Long story short, the plot involves first establishing the three rogues as bona fide killers. Blondie then becomes a pseudo bounty hunter in partnership with Tuco, turning him in for the bounty, rescuing him before he is hanged, and repeating the process until Blondie leaves Tuco in the desert to die. Tuco survives, and lives to find Blondie and return the favor.

As Blondie is about to die while being forced to walk across the desert by Tuco, they are interrupted by an out-of-control, driverless carriage loaded with dead bodies. Except one body, Bill Carson, lives long enough to tell Tuco where $200,000 in gold is buried in exchange for water. While Tuco goes for water, Carson tells Blondie the exact grave in a cemetery where the gold can be found. Suddenly they have a compelling reason to become partners again.

Dressed in the Confederate uniforms of the dead men, Tuco takes Blondie, who is near death, to a local Catholic mission run by Tuco’s brother, a priest. Blondie’s recovery goes well, but Tuco’s reconciliation with his brother does not.

Blondie and Tuco leave the mission and end up being captured by Union soldiers, and taken to a prison camp where Angel Eyes (now a Union sergeant) takes personal charge of torturing the captives. Angle Eyes is aware of the gold, has his enforcer beat Tuco senseless, and learns the name of the cemetery. He then turns Tuco in for the bounty, frees Blondie (who knows the exact location) and he and his gang of 5 thugs head for the cemetery with Blondie.

Tuco manages to escape on the way to his hanging, turns up in a town the Union forces have bombed silly, and runs smack into Blondie, Angel Eyes and his band of 5. Blondie and Tuco manage to kill all 5 thugs as Angel Eyes escapes, and now all three are headed for the cemetery.

On their way to the cemetery, Blondie and Tuco run into a full blown Civil War battle over a bridge crossing a river to the cemetery. They witness the continual carnage, blow up the bridge, and then the soldiers from both sides-as well as Blondie and Tuco-move on.

Once in the cemetery, it is inevitable that the three rogues face off in one of the greatest western showdowns ever filmed. The confrontation is full of Leone’s masterful panoramic shots, extreme close-ups and clever sequence of final events. If you have not seen this film, you must, it may be the greatest western film ever made. If you have seen it, you should see it again to better appreciate Sergio Leone’s masterful direction.

There are many great moments in this film. Two of my favorites involved Tuco. In the first, while Tuco is in the bombed-out town, he manages to find a bathtub and take a bath. While doing so, a bounty hunter (remember than Tuco still has a price on his head) confronts him buck naked in the tub.

At the start of the film, the bounty hunter is one of three gunmen who confront Tuco and Tuco shoots all three. The one that confronts Tuco lost his right arm but lived and now shoots with his left arm. He reminds Tuco of his distress and, while doing so, Tuco kills him with his gun that is hidden beneath the bubble bath water. Tuco then utters this memorable line: “When you have to shoot, shoot, don’t talk.”

The other scene I love is when Tuco walks miles and miles out of the desert and into a town with a gun shop in front of him. After dousing himself in a water trough, he confronts the proprietor, remakes a pistol out of parts from three other pistols, and then steps outside to test the weapon.

He hits three standing figures downrange, turning them sideways, and then fires three shots to cut each in half. Two figures fall immediately and the third remains standing. Tuco takes a mouthful of whiskey, and then jumps and as he lands, the third target falls. This is a guy film, and you really need to be a guy to fully appreciate what I am sharing here. Tuco’s role in this scene helped invent the word cool.

Moviegoers watching this film at the time were not aware that Eli Wallach (Tuco) was nearly killed three times while playing his part.

He was almost poisoned on the set after drinking acid used to burn the bags filled with gold coin so they would rip open easier when struck with a spade. A film technician had poured the acid into a lemon soda bottle and Wallach didn’t know it. He drank a lot of milk and finished the scene with a mouth full of sores.

In another scene where Wallach was about to be hanged while on a horse, the rope was severed by a pistol shot but the frightened horse galloped for almost a mile with Wallach’s hands tied behind him and the noose still taut around his neck.

In a third scene, in order to cut off his handcuffs from his captor, Wallach places his captor on the railroad tracks and waits for a train to come by and break the chain attached to the cuffs. He was within a foot of track and ducks his head to the ground as the train rolls by. The entire film crew and Wallach were unaware that heavy iron steps jutted out from each box car and any of the numerous box cars with iron steps would have decapitated Wallach had he lifted up his head.

Wallach would later acknowledge and complain in his autobiography that safety on the set was not one of Leone’s primary concerns in directing the picture.

For the record, Tuco’s full name in the film script was Tuco Benedito Pacifico Juan Maria Ramirez.

Because Sergio Leone spoke barely any English and Eli Wallach spoke barely any Italian, the two communicated in French. Because an international cast was employed, only Eastwood, Van Cleef and Wallach spoke in English, and were dubbed in Italian for the debut release in Rome. All other international cast members spoke mostly French or Spanish and were dubbed later. This accounts for the fact that none of the dialogue in the film was completely in sync.

Here are three interesting facts from the film for guys:

1) The cache of gold in the film was $200,000, which does not seem like a lot of money today. However, gold was $20+ an ounce in 1862 and was $628 an ounce in 2006, so the gold was really worth more than $6 million in today’s money.

2) In the film, Blondie (Clint Eastwood) used a Colt 1851 cartridge conversion revolver with silver snake grips, and a Winchester 1866 “yellow boy” with ladder elevated sights. Angle Eyes (Lee Van Cleef) used a Remington 1858 Army percussion revolver. Tuco (Eli Wallach) used a Colt 1851 Navy percussion revolver with a lanyard. The soldiers used Gatling guns with drum magazines and Howitzer cannons.

3) Clint Eastwood wore the same poncho without replacement or cleaning during all three of Leone’s spaghetti westerns. In the second film (For a Few Dollars More) you can visibly see that his poncho was mended after being pierced by 7 bullet holes from Ramon’s Winchester in A Fistful of Dollars. The mended area, originally on the left breast, is worn over Eastwood’s right shoulder blade in For a Few Dollars More.

From virtually no acclaim at the time, Sergio Leone’s “The Good, The Bad and The Ugly” is now regarded as a classic by many critics. It was part of Time’s “100 Greatest Movies” of the last century, and it is one of the few films which enjoy a 100% certified fresh rating on Rotten Tomatoes (rottentomatoes.com). The Good, The Bad and The Ugly is currently ranked no less than 5th among the Internet Movie Database Top 250, all of which is not too shabby for an Italian guy directing an American Western.

Even master movie critic Roger Exert gives Leone his just due as an excellent director, and acknowledges two other Sergio Leone films as unquestioned masterpieces-“Once Upon a Time in the West” (1968) and “Once Upon a Time in America” (1984).

Sergio Leone was born into the cinema. His father was Roberto Roberti (aka Vincenzo Leone), one of Italy’s cinema pioneers, and his mother was actress Bice Valerian. Sergio Leone was born in Rome in 1929 and died in Rome in 1989 from a heart attack. He remains one of the great directors in film history.

Copyright © 2008 Ed Bagley

Massacre At Bridal Veil Falls Written By Scotty V Casper

An excellent mystery that takes place in the western United States in the 1800’s. A Mormon immigrant wagon train heading west was attacked by Indians who wiped out all the members of the train, or so they thought. Two had hidden and survived, but all their family was dead. Their tale of survival and all the ingenuity they had to use placed teenagers Shyann Richardson and Lane Tandy together in hostile country. Lane had been injured by an arrow and survived, that survival helped by Shyann’s nursing. They had several guns for protection but they knew there were too many Indians to fight if they attacked again. They kept in sheltered areas as much as possible.

The gang that had attacked the wagon train was in the area. Howard along with a rag-tag bunch of Indians and Mexicans led it. They made plans to wipe out some of the towns of all their goods that their gang needed, not caring how many they killed or humiliated. Meanwhile, Lane’s leg was in very bad shape, swelling up and needed more medical attention. Shyann’s father had shown her how to do a lot of doctoring so she took the bull by the horns and lanced it, making Lane pass out. The horses from the wagon train had taken off and scattered when the attackers had come. Shyann ran across the horse tracks and followed them hoping to catch them to help carry them and their supplies they had gathered from the remnants of the burned out wagon train. When she found them, the horses were with a couple moving their sheep herd, and of course they claimed the horses were theirs. Eventually Shyann got the horses away and used them to help them along the ride to Provo City or wherever they would end up getting to. The woman with the sheep did not want to give up those horses but in the end Shyann claimed them.

The battle for the horses went on and they all finally settled dividing them, which helped both of the groups. Another battle of sorts also was occurring between Shyann and Lane because they were a boy and a girl and their privacy was becoming more and more of an issue, not wanting the other one to see them while they tried to wash and especially when she was checking on his wound on his upper thigh. Those two created humor. They remembered there was some of their money hidden in their parents’ wagon and fortunately it was still there. That will later help them purchase needs for themselves. As they moved toward Provo several times they had to hide so they would not have their possessions stolen.

They finally got to Provo and were viewed suspiciously by the townsfolk. They tried to fit in as much as possible and also worked in with the mostly Mormons as their religion. They still ran into the gang that had burned the wagon train even though they tried to avoid them. They wanted to hurt them for killing their families. This story is kept interesting with the many characters that keep appearing on their travels. No dull moments. A great read.

The Big Sky by AB Guthrie

The plot of the story is set in the landscape of the mountains and the early days of the fur trade. During those days men left the comforts of their own homes to set out for the West trusting their instincts and the directions of the rivers.

From Missouri to Yellowstone and on through the caldera of the geysers where the birth of the snake begins to wind it’s way to the Teton ranges, it was the beaver that drew them, but it became something else that held them, something that is still there.

The “Big Sky” written by Guthrie is not just a tale of outcasts and renegades. It is a work that deserves accolades for its beautiful portrayal of history. The book is about the wisdom that people used to have, the wisdom one gains through the need to survive where “nature favors no man” and every opportunity is valuable as it may knock only once at your door. It is about the emotions of jealousy, love and friendship that occurs at every step of the journey. It is a tale about the passions of youth and the energy that fuels it. All of these feelings show themselves without any restraint and survival, for each day is the only thing that actually matters and everything that follows is secondary.

The protagonist of the story is Boone Claudill who abandons his home for the unknown land of the West after an altercation with his father. With a vague idea of an uncle who had also left for the West a long time ago, he decides to set out with the faint hope of finding him. The character has no idea about the difficulty that awaits him on his journey into the unknown.

As he sets out on his quest, he meets another man who turns into his trustworthy friend, that is until an unexpected tragedy happens. As we read through the book, we see him grow from a clumsy person who lacks confidence into a mentally strong mountain man flying towards his destiny. On his way he encounters a beautiful girl whom he recognizes from his childhood, his is infatuated and hopelessly in love with her. For me the big sky is storytelling at it’s finest and most honest, a love affair with the unspoiled wilderness and the early travellers.